{"id":20,"date":"2012-06-18T20:21:05","date_gmt":"2012-06-18T20:21:05","guid":{"rendered":"http:\/\/freizinger.co.uk\/themightyredox\/?page_id=20"},"modified":"2025-07-10T18:27:12","modified_gmt":"2025-07-10T18:27:12","slug":"reviews","status":"publish","type":"page","link":"https:\/\/themightyredox.co.uk\/?page_id=20","title":{"rendered":"Reviews"},"content":{"rendered":"\n

From The Big Takeover Magazine New York 10\/7\/25<\/h3>\n\n\n\n

The Mighty Redox – Love’s a Demon (The Mighty Redox Record Label)<\/a><\/h3>\n\n\n\n
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10 July 2025<\/p>\n\n\n\n

by Dave Franklin<\/a><\/p>\n\n\n\n

It seems all the rage at the moment to be celebrating 1995, that golden year of Brit-pop, when two brothers from Manchester<\/strong> cemented their place in rock history via their second album, a whole lot of swagger, and no small amount of stolen T-Rex<\/strong> riffs and Beatles<\/strong> grooves. But the real story was actually taking place in Oxford<\/strong>, of course, in the form of, as any discerning music fan knows, the formation of The Mighty Redox.<\/strong><\/p>\n\n\n\n

And, unlike those Mancunian candidates, this band has stayed the course, and as they reach their thirtieth year, they celebrate with a new album, Love\u2019s A Demon,<\/em> which is the perfect summation of their strange hippy-punk, avant-pop sonic blend. Even if you are new to the band, this drops you in at the deep end\u2026.and the water is lovely.<\/p>\n\n\n\n

The title track kicks things off perfectly, a Patti Smith<\/strong> snarl over a New York<\/strong> punk take on a krautrock groove \u2014the coming together of two parts of the 1970s that never really met until now: the imaginary sound of the Lower East Side\u2026of D\u00fcsseldorf!<\/strong><\/p>\n\n\n\n

By the time we get to \u201cWhy Wait,\u201d we have crossed to the other side of the spectrum and headed into Zappa<\/strong> territory, things are more swampy and more than slightly psychedelic, slide blues running through a strange, cosmic country-rock sound. Man, this band covers some distance.<\/p>\n\n\n\n

Talking of which, \u201cZomba Beat\u201d sounds like a gothic B52s<\/strong> jamming with a more lucid, post-Floyd Syd Barrett<\/strong> as the house band in a Latino nightclub\u2026.slightly mad, totally marvelous.<\/p>\n\n\n\n

I should stop there; the more I describe the band or attempt to in my clumsy fashion, the more I fear that things are becoming increasingly confused rather than clearer. Just buy the record; when I say that it has something for everyone, I don\u2019t mean it in the usual, compromised, and crowd-pleasing way; instead, that The Mighty (a prefix thoroughly deserved) Redox is the most adventurous and genre-hopping, exploratory and forward-thinking band you will hear in a long time, especially if you think those two aforementioned brooding and brawling brethren are the way forward musically.<\/p>\n\n\n

\u00a0<\/p>\n

Live review: The Mighty Redox at The Black Swan, Oxford -‘Pub rock at its absolute best’-Stuart MacBeth Reports 17th March 2016<\/p>\n

He had lost all memory of the later part of the evening. We spent it well. At an album launch by The Mighty Redox, at the Black Swan on Crown Street.
Led by Sue Smith and Phil Freizinger, this foursome were formed out of the ruins of Oxford band Tin Tin Tin in 1995. In their 21st century guise they\u2019ve done a lot. They\u2019ve stormed hippy festivals. They\u2019ve destroyed private\u00a0parties. But what they do best is pub rock. The kind of pub rock you won\u2019t find featured in any ordinary newspaper.<\/p>\n

I\u2019ve been to pub gigs before. I\u2019ve been to pub gigs where Rolling Stones tribute acts swig from inflatable plastic champagne bottles. I\u2019ve been to pub gigs where featherweight employees of large breweries stage scrawny open mic nights.
The latter is done in the hope they\u2019ll drive wan, unpaid, tree hugging folk through the door to ply their wares. But even at 11pm at the Black Swan, dismantled by noise and dressed as Vikings, The Mighty Redox sideshow still drives rusty nails into the decorated pub doorway of every single gastropub hell.
Is this pub rock at its best? Possibly. Take for instance when Phil plays new song Bangra Beat on his beaten up electric guitar. The Wilko Johnson of Oxford, in a tatty Irish Boozer. But never knock it. Go and see Slash or Eric Clapton or someone at the O2 or Royal Albert Hall, and compare.<\/p>\n

You are never going to get the intimacy of a pub rock gig. You are never going to get the in-your-face uncertainty of a deranged man wielding the neck of their instrument underneath your chin.\u00a0Phil remains threatening – the \u00a0musical equivalent of an eviction notice from the council.<\/p>\n

You will never get Sue standing by her man, axing a tambourine and squealing like Yoko Ono\u2019s louche younger sister. It all happens two feet away from your last remaining shred of decency.
You won\u2019t get their amazing bass player Sandro Crucioli picking up the pieces on bass as he thumps through numbers such as Sands of Mars and Sugar Down. And you certainly won\u2019t be close enough to hear the natural thump of Rick Nash\u2019s drums. Rick, without any resort to overdubs, sounds like Jaki Liebezeit from Can. You may not know Can. You might never have heard of Jaki Liebezeit. But you have two options. Either you stay in your patchouli chocked
This is a band who actually go for it. In a movement deserted by groups such as Dr Feelgood, Ducks Deluxe and Ace, they still whack guitars back to their rock and roll origins with East Oxford syle– Bring me more of this.
Their original material is rhythmically excellent, guitar driven, on the spot.We should all go right now to the next Might Redox gig. Get stuck in. All you need is a hot room. A loud PA. Four nutters. And some Vikings.The best night of the year!!<\/p>\n

Oxford O2,
Nightshift January 2018<\/b><\/span><\/p>\n

After four hundred gigs together, most of them in places you\u2019ve never heard of, never mind visited, you\u2019d think The Mighty Redox\u2019s enthusiasm would have waned, but they seem to be having as good a time as they ever did, singer Sue Smith in particular mining her inner child as she whoops, wails and cavorts about the stage.
Musically the band have one foot in good-time boogie, the other in a slightly stranger place, possibly Glastonbury circa 1975, as they go in search of flying teapots, a party band for sure. `Eternity\u2019 is a psychedelic blues romp, Sue\u2019s witchy vocals atop Phil Freizinger\u2019s heavily-flanged guitar and soon-to-be departed Graham Barlow\u2019s simple but obstinate bassline. Bullaburra\u2019 remains an enduring set highlight, summing up a band whose unwritten motto seems to be \u201cToo busy having fun to care about being cool\u201d. Long may it serve them.<\/p>\n

Oxford O2,
Claire Dodd 4th December 2018<\/b><\/span><\/p>\n

As we entered the O2 Academy we were greeted with a blues flute solo that would put Ron Burgundy\u2019s jazz flute to shame. The Mighty Redox describe their style as \u2018upbeat psychedelic blues workouts of pure energy.\u2019 And energy they had. Sue Smith\u2019s vocals were not only strong, but also phenomenally varied, and the overall sound was peppered with influences from the world over. A phenomenal band with a unique sound.<\/p>\n

The Bullingdon
Nightshift<\/b><\/span><\/p>\n

Despite a near namesake, The Mighty Redox is NOT a relaxing bath – In case you don’t know, these half punk\/half hippy staples of Oxford music play psych blues workouts of pure energy.<\/p>\n

It’s the kicking rhythm section; it’s the soaring FX-laden guitar of Phil Freizinger; it’s the frankly insane vocals of Sue Smith (=Grace Slick + Janis Joplin + Ari Up)—<\/p>\n

CORNBURY FESTIVAL JULY 1ST 2012
We then witness some wonderful weirdness in the shape of The Mighty Redox with rock and rolling beats that have people dancing around in front of the stage with their Hawkwind style spacey fantasies of a warped dystopia and menacing masks. \u2018Kicking Down Your Door\u2019 is a rock number with duelling guitars and bass and a driving relentless beat somewhat redolent of kicking down a door and the set is interspersed with country style ditties. If you go to see The Mighty Redox, I can assure you it will be impossible to be bored as I emerge from having been somewhat stuck inside my polo neck jumper (it had turned a little cold) to see the lead singer jumping around and pretending to be a kangaroo\u2026I am sure she had her reasons that I missed due to my slight wardrobe malfunction. The crowd absolutely loved them and I can understand why as they were certainly different!
Lyric Lounge Review – Independent music and comedy news, reviews and interviews.<\/p>\n

THE MIGHTY REDOX CD LAUNCH PARTY
BACKROOM @ THE BULLY\u00a0<\/b><\/span><\/p>\n

Wayhey!! Our old mates The Mighty Redox decide to throw a party on a Wednesday night at The Bully to launch their new CD ‘On The Move’. Are they mad??? Of course they bloody are. But then we wouldn’t have ’em any other way. The Mighty Redox have always provided fun and party- have a pint, have a knees up with awesome rock,and tonight was absolutely no exception. After a suitably lower key warm up from some very talented friends, The Mighty Redox made the night their own with their usual mix of big guitar, big bass, big drums and BIG voice from the super-animated Sue Smith<\/p>\n

From new stuff on the album to old favourites, there always seems to be a satisfyingly warm familiarity about a Mighty Redox gig. The guys (and gal!) were just brilliant. If you can’t dance to this band, you ain’t got no feet! The album? Well, if you have EVER seen them play, you really HAVE to own the album. You owe it to your grandkids – The Mighty Redox deserves the ultimate accolade in the Hall Of Rock Gods!!!! …<\/p>","protected":false},"excerpt":{"rendered":"

From The Big Takeover Magazine New York 10\/7\/25 The Mighty Redox – Love’s a Demon (The Mighty Redox Record Label) 10 July 2025 by Dave Franklin It seems all the rage at the moment to be celebrating 1995, that golden year … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/themightyredox.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/20"}],"collection":[{"href":"https:\/\/themightyredox.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/themightyredox.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/themightyredox.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/themightyredox.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20"}],"version-history":[{"count":19,"href":"https:\/\/themightyredox.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":914,"href":"https:\/\/themightyredox.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions\/914"}],"wp:attachment":[{"href":"https:\/\/themightyredox.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}